Wednesday, 6 April 2011
This is the best novel I have read this year by a LONG way. It was simply tremendous - breathless, exciting and yet with a heart and morals and discussion points that lifts it far beyond the realm of most YA fiction. I would say quite honestly that it is about the best children's/YA book I have read EVER.
The novel lives and dies on how well you get on with Todd - the story is told from his first person perspective, even down to his heavy dialect. As such, you encounter words such as 'direkshun' and 'ain't' is used profligately. I could see that this might irritate some people reading The Knife of Never Letting Go, but personally I felt this gave the novel an immediacy and intimacy - you literally heard and felt everything Todd experienced. I particularly enjoyed the way Todd would correct himself, or talk directly to the reader ("Run!" I shout to Manchee, turning and making a break for the back doors. (Shut up, you honestly think a knife is a match for a machete?)
Another wonderful facet to the tale is the fact that animals are able to talk as well. The aforementioned Manchee is Todd's dog - and we learn at the start of the book that even though animals CAN talk, it doesn't mean they have anything profound to say: "Squirrel, Todd! Squirrel!" Manchee reminded me a great deal, in fact, of Doug from the Pixar film Up - an amusing sidekick in a lot of ways, but also capable of providing incredibly touching moments. Manchee was probably my favourite part of The Knife of Never Letting Go.
The titular knife represented, for me, the march into adulthood that Todd is forced to experience. Early on in the novel it is said that a knife makes no decisions, the hand holding it does - and thereafter is used to demonstrate the decisions that Todd must make as he becomes a man. There is also decent social commentary on what adulthood involves.
I liked the way that the fact it is the MEN who project the Noise, and the women who remain silent. It seemed rather a sardonic nod to the fact that this is almost role reversal from real life (or certainly what is perceived to be the case). It also allowed Ness to explore matters of importance to boys and men - not wanting to appear cowardly, discovering morals and lines of honour, how to treat women. All of these were represented both realistically and very sympathetically.
Honestly, I cannot wax lyrical enough about this book. I had seen it read and reviewed by others, but had very little interest. I only picked it up this time around because the third novel of the series has been shortlisted for the Arthur C Clarke award - and I am so glad that I was directed to do so. This novel FEELS important. It is horrific, funny and thoughtful by turn - and never less than brilliant.