Friday, 17 December 2010

A Discovery of Witches Sneak Peek!

Okay, I announced just how excited I was about A Discovery of Witches by Deborah Harkness, which is out 8th February 2011 from Headline. Here is a picture of the delicious final cover:


I'm also happy to report that Book Chick City, My Favourite Books, Dot Scribbles and I are all posting a sneak peek of the first chapter! Start with Carolyn over at Book Chick City, then come to me, then over to Dot and finally to Liz at My Favourite Books.

Here is my excerpt (PART TWO OF CHAPTER ONE) - enjoy!

My mother would instinctively have known the answer, had she been standing in my place. Most members of the Bishop family were talented witches, but my mother, Rebecca, was special. Everyone said so. Her supernatural abilities had manifested early, and by the time she was in grade school, she could outmagic most of the senior witches in the local coven with her intuitive understanding of spells, startling foresight, and uncanny knack for seeing beneath the surface of people and events. My mother’s younger sister, my Aunt Sarah, was a skilled witch, too, but her talents were more mainstream: a deft hand with potions and a perfect command of witchcraft’s traditional lore of spells and charms.

My fellow historians didn’t know about the family, of course, but everyone in Madison, the remote town in upstate New York where I’d lived with Sarah since the age of seven, knew all about the Bishops. My ancestors had moved from Massachusetts after the Revolutionary War. By then more than a century had passed since Bridget Bishop was executed at Salem. Even so, rumors and gossip followed them to their new home. After pulling up stakes and resettling in Madison, the Bishops worked hard to demonstrate how useful it could be to have witchy neighbors for healing the sick and predicting the weather. In time the family set down roots in the community deep enough to withstand the inevitable outbreaks of superstition and human fear.

But my mother had a curiosity about the world that led her beyond the safety of Madison. She went first to Harvard, where she met a young wizard named Stephen Proctor. He also had a long magical lineage and a desire to experience life outside the scope of his family’s New England history and influence. Rebecca Bishop and Stephen Proctor were a charming couple, my mother’s all-American frankness a counterpoint to my father’s more formal, old-fashioned ways. They became anthropologists, immersing themselves in foreign cultures and beliefs, sharing their intellectual passions along with their deep devotion to each other. After securing positions on the faculty in area schools – my mother at her alma mater, my father at Wellesley – they made research trips abroad and made a home for their new family in Cambridge.

I have few memories of my childhood, but each one is vivid and surprisingly clear. All feature my parents: the feel of corduroy on my father’s elbows, the lily of the valley that scented my mother’s perfume, the clink of their wineglasses on Friday nights when they’d put me to bed and dine together by candlelight. My mother told me bedtime stories, and my father’s brown briefcase clattered when he dropped it by the front door. These memories would strike a familiar chord with most people.

Other recollections of my parents would not. My mother never seemed to do laundry, but my clothes were always clean and neatly folded. Forgotten permission slips for field trips to the zoo appeared in my desk when the teacher came to collect them. And no matter what condition my father’s study was in when I went in for a good-night kiss (and it usually looked as if something had exploded), it was always perfectly orderly the next morning. In kindergarten I’d asked my friend Amanda’s mother why she bothered washing the dishes with soap and water when all you needed to do was stack them in the sink, snap your fingers, and whisper a few words. Mrs Schmidt laughed at my strange idea of housework, but confusion had clouded her eyes.

That night my parents told me we had to be careful about how we spoke about magic and with whom we discussed it. Humans outnumbered us and found our power frightening, my mother explained, and fear was the strongest force on earth. I hadn’t confessed at the time that magic – my mother’s especially – frightened me, too.

By day my mother looked like every other kid’s mother in Cambridge: slightly unkempt, a bit disorganized, and perpetually harassed by the pressures of home and office. Her blond hair was fashionably tousled even though the clothes she wore remained stuck in 1977 – long billowy skirts, oversize pants and shirts, and men’s vests and blazers she picked up in thrift stores the length and breadth of Boston in imitation of Annie Hall. Nothing would have made you look twice if you passed her in the street or stood behind her in the supermarket.

In the privacy of our home, with the curtains drawn and the door locked, my mother became someone else. Her movements were confident and sure, not rushed and hectic. Sometimes she even seemed to float. As she went around the house, singing and picking up stuffed animals and books, her face slowly transformed into something otherworldly and beautiful. When my mother was lit up with magic, you couldn’t tear your eyes away from her.

‘Mommy’s got a firecracker inside her,’ was the way my father explained it with his wide, indulgent grin. But firecrackers, I learned, were not simply bright and lively. They were unpredictable, and they could startle and frighten you, too.

My father was at a lecture one night when my mother decided to clean the silver and became mesmerized by a bowl of water she’d set on the dining-room table. As she stared at the glassy surface, it became covered with a fog that twisted itself into tiny, ghostly shapes. I gasped with delight as they grew, filling the room with fantastic beings. Soon they were crawling up the drapes and clinging to the ceiling. I cried out for my mother’s help, but she remained intent on the water. Her concentration didn’t waver until something half human and half animal crept near and pinched my arm. That brought her out of her reveries, and she exploded into a shower of angry red light that beat back the wraiths and left an odor of singed feathers in the house. My father noticed the strange smell the moment he returned, his alarm evident. He found us huddled in bed together. At the sight of him, my mother burst into apologetic tears. I never felt entirely safe in the dining room again.

Any remaining sense of security evaporated after I turned seven, when my mother and father went to Africa and didn’t come back alive.

If this excerpt (and my excitement in the novel) have sufficiently piqued your interest, I'm also delighted to announce a competition being hosted by our four blogs!

First of all Headline are offering 3 signed copies of A Discovery of Witches - but the main competition prize is an opportunity for a UK-based reader to come and have a cup of tea and a chat with Deborah Harkness in either London or Oxford. You will meet Deborah, receive a signed copy of the book and a bottle of wine recommended by the author (who is well-known over in the States as a wine connoisseur). Headline will pay travel expenses, but not overnight accommodation. This will take place on either Monday 7th, Tuesday 8th or Wednesday 9th March. I do have to say that this competition is for over 18s only!

To enter, please send me an email with WITCHES as the subject line, stating that you would like to be included in this competition and providing contact details. I will randomise all the entries I receive and send one name through to the lovely Caitlin at Headline, who will pick a name from the four provided from each of our blogs! Very easy! Good luck!

Some additional places you can find Deborah:

www.deborahharkness.com

http://www.adiscoveryofwitches.co.uk/

On Twitter as @DebHarkness

Thursday, 16 December 2010

The Future of Publishing

Okay, so this is going to be a fairly free-form blog post - something I shall try to articulate, but will likely fail. It is a point that occurred to me earlier while writing my post on Recent Press Releases.

We've all been wondering about the future of publishing - how it is going to work out with eReaders, eBooks, self-publishing, small publishers. And then it occurred to me that we were seeing the root of where publishing is going to go...

Those press releases announced a new small publisher that was selling chapbooks from both well-known and up-and-coming authors; two authors who had decided to collaborate, and no doubt discussed their plan via social media of some kind; and a new eBook-only company who would donate profits made to charity. New authors are being given more of a chance through the fresh initiatives of companies such as Morrigan Books, with their eBook-only branch.

This is both so promising, but also scary! For someone like me, who is yet to embrace the eReader - am I being left behind? Are the traditional publishers who are failing to embrace both social media and eBooks already losing a race that seemed as though it had barely started? There are reports that eBook sales are up MASSIVELY on the same period from last year. NetGalley is a whole new principle on receiving ARCs that has been on the rise in a big way.

The new environment allows so much freedom - it seems as though anyone (with the right contacts and editorial experience) can begin a publishing company or a literary agency. A website, some contracts drawn up and off they go... Is it as simple as this? Are we destined to see many endeavours fail because we aren't quite accustomed to the new way of working?

I have already ordered that chapbook with the click of a Paypal button. If the charity eBook comes in a format I can use, I will no doubt buy that too. I am being access to work that would, previously, have either remained unpublished or found its way into one of the few anthologies that made the rounds. Some of the novellas/novels I'll be able to read will be edited by those with little traditional experience.

We open ourselves to the risk of diminishing returns in terms of quality. We will no doubt see god-awful self-published tomes that would never had seen the light of day without the Amazon Kindle store. Some of us traditionalists may be forced to embrace eReading technology before we ever really wished to in order to stay caught up with new goings-on.

And yet.... I feel positive. The future of publishing looks bright, albeit very, very different.

What do you think?

Real Fantasy

Our world is truly humbling - and here is some proof. This place, that looks as though it belongs on the cover of a fantasy novel and inspires the mind to write about assassins and deserts and other fantasy tropes like that, is actually the Buddhist Monastery of Ki, located in the Himalayas.


This photograph was taken by Natalia Luzuriaga.

Some Recent Press Releases

Okay, a quick post today, gathering together some of the press releases I've recently been sent (you might well have seen these elsewhere!)

First up is from Simon at Spectral Press:


SPECTRAL PRESS Volume 1: WHAT THEY HEAR IN THE DARK – Gary McMahon



An absence is more terrifying than a presence…

Rob and Becky bought the old place after the death of their son, to repair and renovate – to patch things up and make the building habitable.
They both knew that they were trying to fix more than the house, but the cracks in their marriage could not be papered over.
Then they found the Quiet Room.”

“Gary McMahon’s horror is heartfelt...” –Tim Lebbon

22pg A5 print booklet with card covers, signed and numbered, 100 only – published January 2011.

Available from the publishers - Spectral Press, 5 Serjeants Green, Neath Hill, Milton Keynes, Bucks, MK14 6HA, UK for £3 (plus 50p P+P) either through Paypal (spectralpress@gmail.com) or cheque (made payable to ‘Simon Marshall-Jones’) to the address above. Subscriptions for 2011 issues (3) available for £10 – payment details as above. US/RoW please email for prices to your countries...

Web: spectralpress.wordpress.com

Email: spectralpress@gmail.com

I have already purchased mine and am looking forward to receiving this in January!

Secondly, I have news from H&H Books, a new eBook publishing company:

H&H Books is a new eBook publishing company, specialising in science fiction, fantasy and horror fiction.

The brainchild of writer Scott Harrison, and editor Lee Harris, H&H is a non-profit organisation, and will publish works to benefit a number of charitable causes.

The company’s first project is an anthology of flash fiction, entitled Voices from the Past. Over twenty authors have already pledged their support, including Alastair Reynolds, Paul Magrs, Jasper Fforde and Paul Cornell.

The anthology – which will be edited by Harrison and Harris – will be sold for just 59p/$0.99 through all major eBook outlets, with 100% of proceeds benefiting Great Ormond Street Children’s Hospital.

Scott Harrison commented: “Flash fiction is ideally suited to the electronic format, and with over 20 stories for less than the cost of a can of cola, it’s also a fantastic way to donate to an extremely worthy cause.”

Voices from the Past will be published in April 2011 to coincide with the Illustrious SF convention in the UK.
 This sounds like an absolutely wonderful endeavour and I wish Messrs H & H the very best of luck!

Lastly, more news from that Mr Harrison chap - this time alongside the irrepressible Johnny Mains:

The two chaps are co-authoring a novel called Whitby, aiming to take the Dracula legend and expand upon it. Check out the blurb below:


Whitby, North Yorkshire. 1936.

It has been nearly 40 years since journalist Raymond Peakes wrote his original piece on the great storm and the arrival of the Russian schooner ‘Demeter’ to the small fishing village in the dead of night. And now, all Peakes wants to do is forget the past and move on. But the dead just won’t stay buried.

Once more, Raymond Peakes is forced to face the past; to recount his tale of strange happenings and blackest deeds

A tale that began with the arrival of the Demeter.

Believing the ship to be cursed, the superstitious locals want it burned, before it can be sailed back to Varna. But a mysterious group calling themselves the Low Hall Brethren have other plans, staking claim to several items found on board.

As illness and death stalk the sleepy little town, Peakes begins to investigate claims of the dead walking the streets at night, unaware of the monster that has been praying upon the community, in order to slake his thirst for blood.

Count Dracula.

Halted in his seduction of Lucy Westenra by her friend Mina Harker, Dracula has turned his attention upon the inhabitants of Whitby, infecting the town with the ancient curse of the undead.

As the community descends into hysteria, the church wants Whitby destroyed, purifying the evil with fire. The town’s only hope is for Peake to join forces with the shadowy Clerec Robueter, leader of the Low Hall Brethren, the only person who seems to know exactly what is going on and, more importantly, how this nightmare can be stopped.

Intriguing, non? Once again, I wish them all the best (and secretly wonder how Scott Harrison *ever* sleeps!)

Happy reading!

Wednesday, 15 December 2010

Tor Books Incoming in 2011!

The effervescent and lovely Julie Crisp has just shown us three pieces of artwork for novels incoming in 2011 from Tor - here they are in all their glory!

The first is for Heirs of the Blade by the robotic Adrian Tchaikovsky (I say robotic, because surely NO ONE can write so many books so quickly - and apparently of very good quality, I need to catch up on this series of the Apt!)

How GORGEOUS is that?! I love the colours; I love the wicked-looking tree people (Ents these are not!!) and the weary central figure makes me so curious. This is just WICKED artwork from the talented pen of Jon Sullivan.

The next is for the second book by Col Buchanan - Stands A Shadow. This is incoming in August, so still a while to wait. Artwork by Steve Stone:






Hell, that's pretty damn gorgeous too! Follows the theme of the hooded figure dominating the cover of Farlander - this character intrigues me loads as well. *drools*

In fact, the only one of the three I'm not *that* fond of is the cover for Heaven's Shadow, coming in July from David S Goyer and Michael Cassutt:


It is just a little too X Files for me, and doesn't have the impact of the other two covers.

Can't be denied that Tor is producing some stunning artwork at the moment for their books!

Which do you like best? Any of these three books you're *really* waiting for?

Happy Christmas!

In previous years I have written out Christmas cards for all friends and family. This year I feel I have made so many friends (and I love you all! Your support this year has been invaluable, and I can't believe how fulfilled my life feels with you in it) and I didn't want to risk missing anyone when it came to Christmas cards.

So, I am doing the charity donation thing.

This morning I donated £20.00 to the following charities:

- Royal British Legion (for all my Warhammer friends, and for those I know who fight for our country)

- RNIB (for all my bookish friends - it is one of my greatest fears to go blind and lose the pleasure of reading, so this donation offers speaking books to children)

- Cancer Research (because every single one of us has been touched by cancer - RIP Dave Fulford, you're forever missed and loved. Sarah Chorn - you are SO brave, this is for you especially).

Everyone - have a very Happy Christmas and festive period. Read loads, spend time with friends and family, and look forward to everything that 2011 brings.

Love you all! xx

(p.s. that there is a picture of my adorable nephew!)

Tuesday, 14 December 2010

What Constitutes Art?

This is an interesting post for me to write - it almost becomes another of my Passions posts, being as it involves Warhammer.

Now, one of the key parts of Warhammer (it being a table-top, tactical game, involving two armies of miniatures) is the painting of the figures. For those who don't know much about it, the boxes of figures arrive like this:


And the most talented painters and modellers can create something like this:






Anyone who is unfamiliar with Warhammer - take my word for it that the model above is fantastically, shockingly well painted (done by one Matt Oakley, who has won numerous painting awards).

Now... I was browsing The Warhammer Forum, and found within their painting section a picture of the following diorama:


On the face of it, this is a spectacularly modelled and painted piece - truly stunning. Now look closer... Look at the Guardsman on the right as he undoes his belt; observe the guardsman on the left holding the Eldar warrior's chestplate. See the Eldar's hand inching towards the knife on the floor. Clearly this is a diorama depicting rape - or, at least, attempted rape.

Is this art? Is it necessary?

There has been plenty of commentary on the diorama above - the painter has provoked thought, reactions and discussion on the nature of war. This would indicate that the diorama has moved beyond mere painting and into artistry. Would you agree?

Some of those who viewed the tableau were horrified that someone would take of a tabletop hobby and create a "disgusting piece" (one of the descriptive terms used in a discussion thread that was locked when the discussion sparked into argument).

Can rape ever be used as art?

Where is the line drawn in the sand? What constitutes art?

p.s. I would be pleased with any comments - but this is my blog and I will moderate commentary as I see fit. If I receive verbal attacks about the above, I will remove them. I will also take away excessively inflammatory commentary.

Child 44 by Tom Rob Smith

The setting is 1950s Russia, under the rule of Stalin. Leo Demidov - an officer of the MGB, State Security - is forced to tell two grieving parents that their beloved son was not murdered. His death was an accident. In actuality, Leo has stumbled upon a series of grisly murders that have been covered up by the State. Stalin has proclaimed Russia to be the perfect society, thanks to Communism - in a perfect society, crime cannot exist and therefore these murders are not linked, are rather the work of individuals acting against the State.

When Leo is disgraced and sent into exile with his wife, Raisa, he realises that he must redeem his behaviour in helping to cover up this crime by finding the killer. But any wrong move will see him executed for standing up against the mighty state of Russia...

Child 44 is truly a tale of two halves. The first part of the book, from the building of a tense and claustrophobic atmosphere of fear and paranoia to the description of this faceless killer and the corpses he leaves behind him, is glittering brilliance. At times I struggled to turn each page, knowing that, at any point, Leo could be denounced as a traitor to Russia and executed. The relationship between Leo and Raisa is strained and believable.

It was a stroke of genius setting the novel in such a shocking arena: a time when Stalin's brutal regime was at its height. Anyone who spoke out against the rules would vanish into labour camps - or vanish altogether. Torture to gain confessions was rife - and our hero, Leo, is a part of this institution. It would have been very easy to hate Leo - to hate what he stands for, and the fact that he closes his eyes to the situations around him. But you are invited to realise that Leo is very much a product of the State that defines him - his fear for his parents and Raisa, in the event that he is brought in for questioning, showcases the horribly difficult dilemmas faced by those who suffered under Stalin.

Smith's writing is meticulously researched - the downright frightening world of Stalin is captured perfectly, from the queues for food to the approved books that people are permitted to read. It is a fantastic backdrop for a grisly serial killer case, and adds real flavour and unique depth to this tale.

For a debut novel, the prose is assured and very capable, sweeping the reader into the cold east and a dark story of murder.

So... what is wrong with Child 44? The ending, I'm afraid. Once Leo and Raisa are on the run, and pulling together to attempt to find the killer, the novel loses some of its power and punch. I found myself incredulous about some of the coincidences, and everything was tied off a little too neatly. This is a shame, because, up until the last few chapters, this was one of my top books of 2010.

Frankly, I'm astonished at the fact that this is Smith's debut - Child 44 could have easily come from the pen of one of the genre greats, with the level of tension and the feeling of claustrophobia. I am very excited to see what he produces next.

Monday, 13 December 2010

Scorpia Rising


Isn't this just GORGEOUS?! Any art department that needs lessons on how to create high impact book covers should be going to Walker Books for lessons!

This is the cover for Scorpia Rising by Anthony Horowitz - the final Alex Rider novel. It is being released by Walker Books on March 31st 2011, and I'm sure there will be many thousands of youngsters anticipating its release.

I have to confess that this is a series I haven't yet tackled, but have always intended to. With sight of this new cover, the Alex Rider series is firmly on my radar and I plan to snap them all up on the release of Scorpia Rising.

You can keep up to speed with Alex Rider and Anthony Horowitz at www.alexrider.com and www.anthonyhorowitz.com

Enjoy!

My Love Affair With the Arthur C Clarke Award

On Torque Control today there is an open letter from Tom Hunter, the administrator of the Arthur C Clarke award. The link is here, but the gist is that the ACCA is facing a pressing need to change, thanks to various circumstances.

Tom has asked for people to show their support in various ways:

Three things people can do to get involved right now are help us show the size of our audience by Liking us on Facebook or following @ClarkeAward on Twitter, re-posting the link to this page and, of course, by letting us know your thoughts in the comments here.

So I decided to write a little love letter to the Arthur C Clarke award:

I've always been aware of the ACCA - and I always pay more attention to those novels which are listed as having won the Arthur C Clarke award (so here you have at least one person who responds to the name of the award as an indication of quality).

This year - the first year of my blog - I decided to read the full shortlist for the ACCA, and enjoyed it so much. I liked the fact that these six novels showcased brilliant science fiction, taking completely different approaches to the subject matter. I was blown away by the imagination and the sheer originality of the writing. Science fiction, in my opinion, has never been more healthy, when you consider the standard of the books that are currently being published.

For me, the Arthur C Clarke award is valuable for bringing these novels to the attention of the wider community - not just to the sci-fi population. Anyone who reads speculative fiction pays attention to the winner of the ACCA. The features in newspapers and magazines will push science fiction out to the literary community. I have read blog posts from those readers who generally only tackle literary fiction (such as Savidge Reads and Farm Lane Books Blog) who read The City and The City by China Mieville this year, thanks to its exposure. Both loved it. Both, in fact, were blown away by it - and have subsequently asked for more speculative fiction recommendations. As far as I am concerned, this is a win for the Arthur C Clarke Award.

In addition to this, I love the camaraderie created by "Award Season". The announcement of the shortlist leads to discussion on the merits (or not) of the novels chosen. Many book blogs will aim to read all six books so that they can choose their own winner. Indirectly, the ACCA has led to Torque Control's recent discussion on women in SF, which has produced recommendations for excellent novels by women. This sharing of books - this love of the genre - is invaluable and drives a feeling of community.

I believe that the Arthur C Clarke Award has massive value in the future in terms of raising the profile of speculative fiction authors - as it has in the past. The fact it takes SF so seriously, and selects the judging panel from people who genuinely love the genre, gives it a degree of integrity and dignity that some of the other SF/F awards appear to lack.

One question asked by Tom is whether the cash prize adds to the credibility of the award: I would say not, although I'm not an author and can't say for sure how useful or necessary that amount of cash would be to the author who won the prize. For an external observer, it might actually make the prize MORE credible if there is no cash prize.

I don't have specific answers to the majority of the questions that Tom poses - all I can offer is my passion and desire to continue to see the Arthur C Clarke Award handed out each year. One of my bookish ambitions is to be asked to judge the award, so I need it to continue til that point at least *grin*. I humbly offer my blog each year for the month of April - dedicated to all things Arthur C Clarke. If any of that helps, I would be a very happy person.

In the meantime, I encourage you all to spread the word about the ACCA - why do you like it? What questions would you ask Tom about the future of the award? If you feel it has become unnecessary, what suggestions would you make to increase the validity of it in the future? How would you improve it?